Thursday 28 February 2013

DHYANASTHA SHIVJI





DHYANASTHA SHIVJI

Depictions of Gods in the Hindu pantheon , is a great art in itself.There are messages within symbols, codes within attributes.Even the vahan or savari, or vehicle of the God is important for identification. For example shivji rides a Bull, and Durga rides a Lion,Vishnuji is the rider of Garuda, and so on. sometimes there are tell tale signs to decipher the timeline, of these otherwise immeasurable Divinities. For example,Whats notable about Lord Shiva's ascetic picture, is the colour of the matty hair.

It depicts somewhat how indifferent he has been to its care,
immersed only in god consciousness.


By contrast most pics of him with parvati show well combed hair, or well 'groomed' hair.!! so, this is possibly from the time he was not yet married to parvati ji, or the timeline in between sati and parvati.


Aum namah Shivaya!
(shail gulhati)

Lord Shiva Pasu pati Nath ji, Nepal





Nandi faithfully waits upon His eternal master Lord Shiva Pasu pati Nath ji, Nepal.

Tāṇḍava or Tāṇḍava nṛtya, (ताण्डव, ताण्डव नृत्य) the divine art form, is a dance performed by Shiva, a Hindu God.




Photo: Tāṇḍava or Tāṇḍava nṛtya, (ताण्डव, ताण्डव नृत्य) the divine art form, is a dance performed by  Shiva, a Hindu God. According to Hindu mythology, Lord Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself; the Ananda Tandava depicts him as enjoying. Shiva as Nataraja (lit. "Lord of dance") is considered the supreme lord of dance.[1]

The Tandava takes its name from Tandu, the attendant of Shiva, who instructed Bharata (author of the Natya Shastra) in the use of Angaharas and Karanas, modes of the Tandava at Shiva's order. Some scholars consider that Tandu himself must have been the author of an earlier work on the dramatic arts, which was incorporated into the Natya Shastra.[2] Indeed, the classical arts of dance, music and song may derive from the mudras and rituals of Shaiva tradition.
Some of the 108 Karanas of Nataraja at Kadavul Hindu Temple, on Kauai, Hawaii. It is one of the few complete collections in existence, commissioned by Satguru Sivaya Subramuniyaswami in the 1980s. Each sculpture is about 12 inches tall. Chidambaram Temple is also known to have a complete set.

The 32 Angaharas and 108 Karanas are discussed by Bharata in the 4th chapter of the Natya Shastra, Tandava Lakshanam.[3] Karana is the combination of hand gestures with feet to form a dance posture. Angahara is composed of seven or more Karanas.[4] 108 karanas included in Tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.

The dance is a pictorial allegory of the five principal manifestations of eternal energy:[5]

        'Srishti' (सृष्टि) - creation, evolution
        'Sthiti' (स्थिति) - preservation, support
        'Samhara' (संहार) - destruction, evolution
        'Tirobhava' (तिरोभाव) - illusion
        'Anugraha' (अनुग्रह) - release, emancipation, grace

Thus Tandava symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death.
Rudra Tandava: A dancer depicting Shiva kicking Yama, the god of Death.

Tandava, as performed in the sacred dance-drama of southern India, has vigorous, brisk movements. Performed with joy, the dance is called Ananda Tandava. Performed in a violent mood, the dance is called Rudra Tandava. In the Hindu texts, at least seven types of Tandava are found: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava and Gauri Tandava.[4] However, some people believe that there are 16 types of Tandava.

    "How many various dances of Shiva are known to His worshipers I cannot say. No doubt the root idea behind all of these dances is more or less one and the same, the manifestation of primal rhythmic energy. Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of." - Ananda Coomaraswamy[6]

The dance performed by Goddess Parvati in response to Shiva's Tandava is known as Lasya, in which the movements are gentle, graceful and sometimes erotic. Some scholars consider Lasya to be the feminine version of Tandava. Lasya has 2 kinds, Jarita Lasya and Yauvaka Lasya.

The Hindu scriptures narrate various occasions when Shiva or other gods have performed the Tandava. When Sati (first wife of Lord Shiva, who was reborn as Parvati) jumped into the Agni Kunda (sacrificial fire) in Daksha's Yagna and gave up her life, Shiva is said to have performed the Rudra Tandava to express his grief and anger. The Shivapradosha stotra says when Shiva performs the Sandhya Tandava, the other gods like Brahma, Vishnu, Sarasvati, Lakshmi and Indra play musical instruments and sing Shiva's praises.[4] Ganesha, the son of Shiva, is depicted as Ashtabhuja tandavsa nritya murtis (Eight armed form of Ganesha dancing the Tandava) in temple sculptures.[7] The Bhagavata Purana talks of Krishna dancing his Tandava on the head of the serpent Kaliya.[8] According to Jain traditions, Indra is said to have performed the Tandava in honour of Rishabha (Jain tirthankar) on the latter's birth.[9]
(source wikipedia)

Tāṇḍava or Tāṇḍava nṛtya, (ताण्डव, ताण्डव नृत्य) the divine art form, is a dance performed by Shiva, a Hindu God. According to Hindu mythology,Lord Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself; the Ananda Tandava depicts him as enjoying. Shiva as Nataraja (lit. "Lord of dance") is considered the supreme lord of dance.[1]

The Tandava takes its name from Tandu, the attendant of Shiva, who instructed Bharata (author of the Natya Shastra) in the use of Angaharas and Karanas, modes of the Tandava at Shiva's order. Some scholars consider that Tandu himself must have been the author of an earlier work on the dramatic arts, which was incorporated into the Natya Shastra.[2] Indeed, the classical arts of dance, music and song may derive from the mudras and rituals of Shaiva tradition.
Some of the 108 Karanas of Nataraja at Kadavul Hindu Temple, on Kauai, Hawaii. It is one of the few complete collections in existence, commissioned by Satguru Sivaya Subramuniyaswami in the 1980s. Each sculpture is about 12 inches tall. Chidambaram Temple is also known to have a complete set.

The 32 Angaharas and 108 Karanas are discussed by Bharata in the 4th chapter of the Natya Shastra, Tandava Lakshanam.[3] Karana is the combination of hand gestures with feet to form a dance posture. Angahara is composed of seven or more Karanas.[4] 108 karanas included in Tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.

The dance is a pictorial allegory of the five principal manifestations of eternal energy:[5]

'Srishti' (सृष्टि) - creation, evolution
'Sthiti' (स्थिति) - preservation, support
'Samhara' (संहार) - destruction, evolution
'Tirobhava' (तिरोभाव) - illusion
'Anugraha' (अनुग्रह) - release, emancipation, grace

Thus Tandava symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death.
Rudra Tandava: A dancer depicting Shiva kicking Yama, the god of Death.

Tandava, as performed in the sacred dance-drama of southern India, has vigorous, brisk movements. Performed with joy, the dance is called Ananda Tandava. Performed in a violent mood, the dance is called Rudra Tandava. In the Hindu texts, at least seven types of Tandava are found: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava and Gauri Tandava.[4] However, some people believe that there are 16 types of Tandava.

"How many various dances of Shiva are known to His worshipers I cannot say. No doubt the root idea behind all of these dances is more or less one and the same, the manifestation of primal rhythmic energy. Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of." - Ananda Coomaraswamy[6]

The dance performed by Goddess Parvati in response to Shiva's Tandava is known as Lasya, in which the movements are gentle, graceful and sometimes erotic. Some scholars consider Lasya to be the feminine version of Tandava. Lasya has 2 kinds, Jarita Lasya and Yauvaka Lasya.

The Hindu scriptures narrate various occasions when Shiva or other gods have performed the Tandava. When Sati (first wife of Lord Shiva, who was reborn as Parvati) jumped into the Agni Kunda (sacrificial fire) in Daksha's Yagna and gave up her life, Shiva is said to have performed the Rudra Tandava to express his grief and anger. The Shivapradosha stotra says when Shiva performs the Sandhya Tandava, the other gods like Brahma, Vishnu, Sarasvati, Lakshmi and Indra play musical instruments and sing Shiva's praises.[4] Ganesha, the son of Shiva, is depicted as Ashtabhuja tandavsa nritya murtis (Eight armed form of Ganesha dancing the Tandava) in temple sculptures.[7] The Bhagavata Purana talks of Krishna dancing his Tandava on the head of the serpent Kaliya.[8] According to Jain traditions, Indra is said to have performed the Tandava in honour of Rishabha (Jain tirthankar) on the latter's birth.[9]
(source wikipedia)

Adbhut Mantra Shiv





Adbhut Mantra Shiv, Lord Shiva Natraja surrounded by resonating Mantra jaap.the artist has shown Shivji's supremacy over time as Mahakal. Note that he is stepping on a clock

Lord Shiva projected as the Rising sun

Photo: Suprabahat! Lord Shiva projected as the Rising sun. Aum Namah Shivaya!!

Suprabahat! Lord Shiva projected as the Rising sun. Aum Namah Shivaya!!

Wednesday 27 February 2013

Lord Shiva and Devi parvati - always, as one.





Lord Shiva and Devi parvati

The beautiful form of this sculpture amplifies how:
The One appears as two,
and how
the two move , always, as one.

LORD SHIVLINGAM


Har Har Mahadev

LORD SHIVA


JAI RAAM DARBAR KI...

LORD SHIVLINGAM


HAR HAR MAHADEV....

JAI SHANKAR...

Char Dham Yatra




4 Dhams

THE HIMALAYAS
**************
The world's most majestic & loftiest mountain chain, is the global heritage of all mankind. Referred to as “Devbhoomi” or the Abode of Gods, the Garhwal Himalaya is the land of spiritual endeavour. It is the land of the most sacred shrines of the Hindus – Yamunotri, Gangotri, Kedarnath & Badrinath, also known as the “Char Dham” of the region. Millions of devotees have walked these vales, to experience the sheer magnificence and the tranquil beauty, which immersed them into a world of spirituality experiencing the true peace and humility that stayed with them throughout the life.

YAMUNOTRI (The sacred Jewel of the Himalayas)
*****************
The sacred shrine of Yamunotri, source of the river Yamuna, which emerges from a frozen lake of ice & glacier (Champasar glacier), located on the Kalind mountain at the height of 4421m above sea level, is the westernmost shrine in the Garhwal Himalayas, perched atop a flank of Bandar Poonch Peak (3615 m) & situated opposite to Gangotri. The temple is on the left bank of the river constructed by Maharaja Pratap Shah of Tehri Garhwal, dedicated to Goddess Yamuna, the twin sister of Yama (God of death) and daughter of Lord Surya (Sun). According to the legend ancient sage Asit Muni had his hermitage here. All his life, he bathed daily both in Ganga and Yamuna. Unable to go to Gangotri during his old age, a stream of Ganga appeared opposite Yamunotri for him. Close to the temple are hot water springs gushing out from the mountain cavities. Suryakund is the most important Kund. Near the Suryakund there is a shila called Divya Shila, which is worshipped before puja is offered to the deity. Devotees prepare rice and potatoes to offer at the shrine by dipping them in these hot water springs, tied in muslin cloth. Rice so cooked is taken back home as prasadam.

GANGOTRI (The eternal gift of Bhagirath’s penance)
*******************
The picturesque pilgrimage in the hinterlands of the Himalayas is the most sacred spot where Ganga, the stream of life, touched earth for the first time. According to mythology, Goddess Ganga, the daughter of heaven, manifested herself in the form a river to absolve the sins of King Bhagirath's predecessors, following his severe penance of 5500 years. At present, the source can be seen 18kms away from the main temple at Gaumukh (like a cows mouth) in Gangotri glacier. The river itself begins at Gangotri which literally means Ganga Uttari or Ganga Descending and is called Bhagirathi at her legendary source. The temple of Gangotri, made of white Granite is situated at an elevation of 3200m above sea level amidst captivating surroundings along the right bank of Bhagirathi, and was constructed in the early 18th century by Gorkha Commander Amar Sigh Thapa.

KEDARNATH (The celestial Jyotirlingam)
********************
Kedarnath, one of the 12 jyotirlingas of Lord Shiva, situated at an altitude of 3584m above sea level, at the head of river Mandakini, against the backdrop of the majestic Kedarnath range. Kedar is another name of Lord Shiva, the protector and the destroyer. Made of evenly cut gray slabs of stone, the temple rests on a rectangular base. Inside there is a sanctum where a conical shaped rock is present encircled by narrow pradakshina path, which is worshipped as Lord Shiva. Pilgrims carry water of river Ganga from Gangotri as it’s costumary to worship Shiva with water of Ganga. It is no wonder that Adi Guru Shankaracharya - a great scholar & saint, chose to attain Samadhi behind Kedarnath temple at the young age of 32, as this is the place where the unholy becomes holy and the holy becomes holier. According to legend, the Pandavas after having won over the Kaurava in the Kurukshetra war, felt guilty of having killed their own brothers and sought the blessings of Lord Shiva for redemption.

BADRINATH (Abode of Lord Vishnu)
*****************
Badrinath is situated on the right bank of the river Alaknanda, at an elevation of 3,133m above sea level, guarded on either side by the two mountain ranges known as Nar & Narayan with the towering Neelkanth Peak providing a splendid backdrop. Built by Adi Shankaracharaya, the philosopher-saint of the 8th century, the temple has been renovated several times due to damage by avalanches and restored in the 19th century by the royal houses of Scindia & Holkar. The main entrance gate is colourful & imposing popularly known as Singhdwar. Almost 3 km north of Badrinath, Mana is the last Indian village before the Tibetan border. The idol inside the temple is of black stone showing Lord Vishnu sitting in “Padmasan” or lotus posture. (source : FB)

http://www.youtube.com/watch?v=0nS0PgukNkk

LORD SIVA


|| ॐ नमः शिवाय ||

LORD SHIVLINGAM TEMPLE


|| ॐ नमः शिवाय ||

Tuesday 26 February 2013

Lord Shiva


Characteristics :Destroyer, Kind Hearted
Other Names :Shambhu Nath, Bhole Shankar, Shiv Shankar
Principal Scriptures:Shiva Mahapurana
Consort :Parvati
Sons :Ganesha, Kartikay
Abode :Mount Kailash
Vahana (Vehicle) :Nandi (The Bull Representing Strength and Happiness)
Mula Mantra :Om Namah Shivaye
Shiva Gayatri Mantra:Aum Panchvakraye Vidmahe
Mahadevaye Dheemahi
Tanno Rudra Prachodayat



Lord Shiva

Lord Shiva or Siva is considered as the destroyer of the world. Shiva is one of the most popular gods of the Hindu religion. Lord Siva forms the part of the Trimurti (Trinity), the other being Brahma, the creator and Vishnu, the preserver. Shiva is known for the complexity of his nature, representing contradictory qualities. He is the destroyer and the restorer, the great ascetic and the symbol of sensuality, the kind herdsman of souls and a wrathful avenger. 

Lord Shiva- The Role
Lord Shiva represents the vital goodness in the form of Satyam, Shivam, Sundaram i.e.; Truth, Goodness and Beauty .Lord Shiva performs a celestial role of dissolution and recreation of the universe, that's why; he is mostly associated with the words, like destroyer and destruction. The role of Shiva is often confused with these terms and the difficulty arises, when the significance of his celestial role is not understood. 

The conception is clear itself by a slight balance between the opposing forces of good and evil. When this balance gets disturbed and continuation of life becomes unfeasible, Lord Shiva dissolves the universe. This is known as '' pralay '' and it is done in order to create another cycle .So that the unliberated souls will get another opportunity to liberate themselves from the bondage of the material world. To put succinctly, Siva protects the souls from pain and suffering that is generated by the unhealthy universe.

Shiva - The Giver
Lord Shiva is known as the ''giver god'', lord of mercy and kindness. He always protects his devotees from evil forces like lust, greed and anger. He is the most kind -hearted God who grants boons and bestows grace to his devotees. 

Shiva - The Image
Lord Shiva has the unclad body covered with ashes symbolizing the transcendental aspect of the universe. Siva's three matted locks represent the integration of the mental, physical and spiritual energies. The crescent moon becomes the part of lord's ornament symbolizing the time cycle through which creation evolves from the beginning to the end. The three eyes of Lord Shiva suggest: the Sun is his right eye, the Moon is the left eye and fire, the third eye. 

The Snake around his neck symbolizes the yogic power, which he uses to dissolve and recreate the universe. The Rudraksha necklace worn by the lord shows that he uses his celestial powers without compromise,to maintain law and order. The trishula (trident), symbolizes the Lord's three fundamental powers of will (iccha), action (kriya) and knowledge (gyana).The damaru (drum) and its two sides separated from each other symbolizes the two entirely dissimilar states of existence, invisible and evident.

The bull, Nandi is linked with Shiva and it is considered as his vehicle. The bull symbolizes both power and ignorance. Tiger's skin makes Lord Shiva's clothing and his seat, which illustrates the idea that he is the source of potential energy during the dissolution of the universe. Thus, Lord Shiva is well-regarded as the ultimate organizer of the birth and death in the corporeal world.

Shiva - The Lingam
Shiva is worshipped in his invisible and an unborn form, known as the lingam. Lingam is always accompanied by the Yoni, which is the female part, adjoining the base of the lingam. The lingam symbolizes the male creative power of Shiva. 

Shiva Chalisa
Shiva Chalisa is a "forty verse" prayer. Verses are recited or chanted by groups. The acts and deeds of Shiva are recalled in these verses to aid the devotee to meditate on virtuous and noble qualities.

Shiva Legends
Shiva is considered as the destroyer of the universe, in Hinduism. Shiva is a complex god, in terms of nature and represents contradictory qualities, being the destroyer and the restorer simultaneously. There are numerous legends surrounding Lord Shiva and his powers. Here're a few popular stories of Lord Shiva.

Names of Shiva
Lord Shiva is considered as the destroyer of the Universe as per the Hindu Mythology. Shiva is one of the most popular gods of the Hindus. Lord Shiva is a complex god like goddess Kali, being destroyer and restorer at the same time. Shiva is also known as Bhole Shankar, the innocent god, who gets appeased easily.

source : iloveindia.com

THIS STATUE OF LORD SHIVA FROM THE SEA OF BALI (INDONESIA)



Photo: A PHOTOGRAPHER FOUNDED THIS STATUE OF LORD SHIVA FROM D SEA OF BALI(INDONESIA)
MAXIMUM SHARES PLEASE
|~ψ~!ૐ♥namaḥ♥Śhivāya!~ψ~|


A PHOTOGRAPHER FOUND THIS STATUE OF LORD SHIVA FROM THE SEA OF BALI(INDONESIA).

source : FB

LORD SHIVA


Photo: |~ψ~!ૐ♥namaḥ♥Śhivāya!~ψ~|


|~ψ~!ૐ♥namaḥ♥Śhivāya!~ψ~|

Shiva Parivar on a chariot


Photo: A rare depiction of the Shiva Parivar on a chariot. Lord Shiva normally does not take a ride other than Nandiji, so this is an artists depiction, maybe infused with the type of Gita Updesh of Sri Krishna, in which the horses and chariot are compared to mind and thoughts and we have to harness those meditatively into Aumkar, which is our essential Nature. Perhaps shivji is giving the family that holy lesson. Durgaji's lion seems to have hitched himself to the wagon of great learning!!! .Indeed a very nice symbolism, even if it is not from the known mythology. such innovative pictures can add to the learnings from our great Rishis and seers, learning is a continuous process,and the essence of Shivji flows eternally on. Who can say of His leela!! ..Aum Namah Shivaya!!!
(shail gulhati)


A rare depiction of the Shiva Parivar on a chariot. Lord Shiva normally does not take a ride other than Nandiji, so this is an artists depiction, maybe infused with the type of Gita Updesh of Sri Krishna, in which the horses and chariot are compared to mind and thoughts and we have to harness those meditatively into Aumkar, which is our essential Nature. Perhaps shivji is giving the family that holy lesson. Durgaji's lion seems to have hitched himself to the wagon of great learning!!! .Indeed a very nice symbolism, even if it is not from the known mythology. such innovative pictures can add to the learnings from our great Rishis and seers, learning is a continuous process,and the essence of Shivji flows eternally on. Who can say of His leela!! ..Aum Namah Shivaya!!!
(shail gulhati)


source : FB

Lord Shiva does not need your worship and praise........


Photo: जो लटकती हुई पिङ्गवर्ण जटाओंके सहित मुकुट धारण करने से जो उत्कट जान पड़ते हैं तीक्ष्ण दाढ़ों के कारण जो अति विकट और भयानक प्रतीत होते हैं, साथ ही व्याघ्रचर्म धारण किए हुए हैं तथा अति मनोहर हैं, तथा तीनों लोकों के अधिश्वर भी जिनके चरणों में झुकते हैं, उन शिव जी को नमस्कार करता हूँ।

♥ॐ नम: शिवाय (Om Namah Shivaya)♥
§
ॐ नमः शिवाय॥


Lord Shiva does not need your worship and praise, just as a parent does not expect praise and worship from their children. All Lord Shiva asks for is that you love the universe the way Lord Shiva does, that you discover the universe constantly.

Our love and worship to Lord Shiva is through our affection. Just as our love and worship of our parents is something we do naturally. We do not worship or love because we need something or we got our wish granted. We love because we understand and see the values in them and how that made us who we are.

source : FB

Lord Shiva remains as he is, ever blissful and loving to those who follow the path of universal love


Photo: Ψ. मैं विकारों से रहित , विकल्पों से रहित , निराकार , परम एश्वर्य युक्त , सर्वदा यत्किंच सभी में सर्वत्र ,समान रूप में ब्याप्त हूँ , मैं ईक्षा रहित , सर्व संपन्न ,जन्म -मुक्ति से परे ,सच्चिदानंद स्वरुप कल्याणकारी शिव हूँ केवल , शिव ......न मृत्यु , न संदेह , न तो जाति-भेद (खंडित ) हूँ , न पिता न माता , न जन्म न बन्धु , न मित्र न गुरु न शिष्य ही हूँ ; मैं तो केवल सच्चिदानंद स्वरुप कल्याणकारी शिव हूँ , शिव ......न पुण्य हूँ , न पाप ; न सुख न दुःख , न मन्त्र न तीर्थ , न वेद न यज्न , न भोज्य , न भोजन न भोक्ता ही हूँ ; मै तो केवल सच्चिदानंद स्वरुप कल्याणकारी शिव हूँ , शिव ......न द्वेष , न राग , न लोभ , न मोह , न मत्सर , न धर्म , न अर्थ , न काम , न मोक्ष हूँ ; मैं तो सच्चिदानंद स्वरुप कल्याणकारी शिव हूँ , शिव......न तो प्राण उर्जा हूँ , न पञ्च वायु हूँ , न सप्त धातुएं हूँ , न पञ्च कोष हूँ , न सृष्टी , न प्रलय , न गति , न वाणी और न तो श्रवण ही हूँ ; मैं तो केवल सच्चिदानंद स्वरुप कल्याणकारी शिव हूँ , केवल शिव....... न तो मन हूँ , न बुद्धि , न अहंकार , न चित्त , न पञ्च इन्द्रियां - ( नेत्र ,कान ,जीभ , त्वचा , नासिका ) और न तो पञ्च तत्व (आकाश , भूमि , जल , वायु , अग्नि ) , हूँ ; मैं तो केवल सचिदानंद स्वरूप कल्याणकारी शिव हूँ ; शिव हूँ......


Nothing done or said by Lord Shiva is imposed. Lord Shiva does not punish non believers, nor does he curse them.

Lord Shiva remains as he is, ever blissful and loving to those who follow the path of universal love. Lord Shiva is never biased, or dictating. One merely lives in his philosophies to discover why we fall in love with him. It is natural to fall in love with someone who is pure love, who does what has to be done for the better of the universe.

Lord Shiva remains neutral, and rewards those who make others happy, who discovers paths together with others, who shares their enlightenment to others. He rewards them through the law of nature, by further opening their eyes, showing them what he can see.

To feel the love Lord Shiva feels, to see the love that he sees, that is the best gift anyone can ever ask.

Om Namah Shivaya


source : FB

Monday 25 February 2013

Stambheshwar Mahadev Temple is situated about 40 miles from Vadodara





Stambheshwar Mahadev Temple is situated about 40 miles from Vadodara In the hours of high tides it remains mostly submerged.

source : FB

Lingam is a union of male and female elements......





One of the most popular depiction of Lord Shiva is being half male and half female. The Lingam is a union of male and female elements as well. 

A Shaivite gives full respect on the equality of gender since the very start. Lord Shiva always has Goddess Parvati on his side blessing together with him. In many pictures that are well depicted, she is neither higher nor lower than him. They both hold equal positions. They both are heads to their corresponding responsibilities, and are given equal respect.

This equality and respect stems from the fact that both gender have the same opportunity to attain perfection, and when one looks at the universe, it is neither male nor female, while also being both male and female.

Lord Shiva is the potential, while Goddess Parvati brings that potential and turns it to action. If Goddess Parvati is the storm, Lord Shiva is the irrigation channel for all the rain. They both need each other to bear a result, and they both carry equal burden for their own corresponding responsibilities.

One who does not value the dignity and value of a woman or a man is incomplete, for the very propagation and evolution of all living beings on earth has always depended on the partnership of both.

Om Namah Shivaya


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WHY DO WE RING THE BELL??



Why do we ring the bell??

Ans: The ringing of the bell produces what is regarded as an auspicious sound. It produces the sound Om, the universal name of the Lord. There should be auspiciousness within and without, to gain the vision of the Lord who is all-auspiciousness.

Even while doing the ritualistic aarati, we ring the bell. It is sometimes accompanied by the auspicious sounds of the conch and other musical instruments.


An added significance of ringing the bell, conch and other instruments is that they help drowned any inauspicious or irrelevant noises and comments that might disturb or distract the worshippers in their devotional ardour, concentration and inner peace.


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Lord Shiva has a bull flag...WHY?



The Lord has the bull flag, this refers to dharma (justice). Why is it that the dharma has been given so much of importance ? We saw that the Supreme is the Almighty. When It is having limitless power how could we take the proposition that treading the right path would result in the right result ? After all the God is having the limitless power. So we might fall into the conclusion that irrespective of what we do the God is going to give the results in whatever way It feels like, and this would be a disaster ! By raising the bull flag the God shiva indicates the justice that would motivate the lives to be stand by the dharma. The Great Lord provides the justice that He created at the same time retaining the unlimited might like the one who treads a path keeping the liberty to move anywhere. 

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THE TALLEST LORD SHIVA STATUE IN THE WORLD - KATHMANDU, NEPAL



Tallest lord shiva statue in the world to be found at Chhitpol-5, Kailaskut hill in Bhaktapur of Kathmandu in Nepal. The height of this statue is 108 feet, in accordance with the Hindu mythological lucky number, but measured with its base of 36 feet, it comes to 144 feet or 43.5 meter.It took a long six years to construct the statue. The place of the statue is 20 kms east to Kathmandu. 

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LORD SIVA



His body is fair and Ganges flows from his head,
He wears a garland of skulls and smears ash on his body,
He wears the hide of lion on his waist,
And seeing his pretty form the Naga sages are enchanted.

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